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A Livingetc report describes preserved-flower resin appearing in furniture, lighting and hospitality interiors, including a new herbal infusion house in Paris. Designers say the material’s appeal lies partly in its ability to hold flowers in place and evoke memory, but the report does not establish how widespread the trend is.
Preserved flowers set in resin are appearing in a range of interior projects, from furniture and lighting to a newly opened Paris herbal infusion house, according to a Livingetc report. The examples point to renewed designer interest in floral epoxy resin, a material that can turn botanical elements into lasting features of a room.
One featured example is Apoticari’s La Tisanerie, a herbal infusion house founded by Elsa Snakers that opened in September in Paris’s Haut-Marais. Its floral-enriched resin bar counter is intended to connect the interior to the venue’s botanical focus. The report describes it as Paris’s first dedicated herbal infusion house; that description is attributed to the publication and was not independently verified in the source material.
Other examples include the Gelo side tables, a collaboration between Monologue and Paraforma, which MAY founder Romain Casella describes as hand-cast resin pieces with varied finishes and colors. The report also points to lighting by Austrian designer Laurids Gallée and the work of Dutch designer Sabine Marcelis, whose exhibition at Zurich’s Museum für Gestaltung is listed for October 30, 2026, to April 4, 2027.
Polish botanical artist and designer Marcin Rusak is taking his Flora Herbarium Clear Amber 152 work to Salon Art + Design in New York, scheduled for November 4–8 at the Park Avenue Armory, according to the report. Rusak’s work uses botanical material as a way to consider how people relate to nature and what they value, while Casella connects the appeal of resin with nostalgia and the idea of holding time still.
Why Designers Are Preserving Flowers
The projects show how a material can serve both a practical and expressive role in interiors. Resin makes it possible to incorporate flowers into tables, counters and lighting, where the plants become part of an object rather than a short-lived arrangement. That quality may appeal to venues and designers looking for a visual identity tied to nature, craft or memory.
Casella told Livingetc that resin’s appeal is connected to nostalgia and a desire to “freeze time.” That is his interpretation, not evidence of a single cause behind the renewed interest. Still, the examples suggest the material is being used beyond standalone decorative objects: at Apoticari, the resin counter helps communicate the venue’s botanical concept, while designers use it to shape the look and texture of furniture and lighting.
For readers, the trend is relevant as a design development rather than a confirmed measure of the furniture market. Livingetc describes several recent sightings and projects, but provides no sales figures, survey data or industry-wide count showing how common floral resin has become.
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A Revival With Earlier Roots
Livingetc reports that floral epoxy resin furniture originated in the 1940s and was revived in the 1980s. The current interest is presented as another return for the technique, alongside what the article calls a broader interest in amber-toned interiors. The report does not provide a detailed history of either period or data measuring the scale of the earlier revivals.
The article also links the examples to its Style Pulse S/S27 report, which names “One Decorative Gesture” as a design moment expected to influence interiors in the year ahead. That forecast is the publication’s editorial assessment. The current examples span hospitality, collectible design and lighting, but they do not by themselves confirm how broadly the look is being adopted.
“I think it’s a mix of nostalgia, which is all around us right now, from interiors to film to fashion, and something much deeper.”
— Romain Casella, founder and director of MAY, speaking to Livingetc
How Broad Is the Resin Revival?
The report identifies examples that the writer encountered in Paris, design work and online, but it does not establish how widespread the trend is across the interiors industry. No market figures, maker surveys or consumer data are provided. The characterization of resin as appearing “everywhere” is the article’s framing, not a quantified claim.
It is also unclear whether the cited projects reflect sustained demand or a concentrated moment of attention among designers and editorial outlets. The source material does not detail the production methods, durability, maintenance needs or environmental impacts of the featured pieces, so no conclusions on those points can be drawn from the examples alone.
Upcoming Design Events and Exhibitions
The next cited public presentation is Salon Art + Design, scheduled for November 4–8, 2026, at New York’s Park Avenue Armory, where Rusak plans to show Flora Herbarium Clear Amber 152. The report also lists Sabine Marcelis’s solo exhibition at Zurich’s Museum für Gestaltung, running from October 30, 2026, through April 4, 2027.
Those events may offer further examples of how designers are using resin and preserved botanicals, but their presence on the calendar does not establish whether the look will spread into wider retail or residential use. Any assessment of that adoption will depend on further projects and, if available, market or sales evidence.
Key Questions
What is floral resin design?
Floral resin design embeds or suspends flowers and other botanical material in resin used for objects such as tables, counters and lighting. The Livingetc report highlights examples in both commercial interiors and collectible design.
Where has the report spotted preserved-flower resin?
Examples include the resin bar counter at Apoticari’s La Tisanerie in Paris, Monologue and Paraforma’s Gelo side tables, and work by designers including Laurids Gallée and Marcin Rusak.
Is floral resin a new design technique?
Not according to the report, which says floral epoxy resin furniture originated in the 1940s and was revived in the 1980s. It presents the current interest as a renewed appearance of an older approach.
Is floral resin now a widespread interior trend?
The report describes several recent examples, but gives no market data or adoption figures. It supports the claim that some designers and venues are using the material, not a conclusion that it is widespread across the industry.
Source: livingetc.com
