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Woo Jin Joo’s solo exhibition Bodily Inbetweenness is on view at Ruup & Form in London through November 13, 2026. Her sculptures combine found furniture and clothing with clay and viscose thread, drawing on personal experience and mythic and folkloric imagery.
Woo Jin Joo’s solo exhibition, Bodily Inbetweenness, is on view at Ruup & Form in London through November 13, bringing together sculptures made from found clothing and furniture, clay, and viscose thread. The Seoul-born artist uses these materials to create uncanny forms that connect human and animal bodies with domestic objects, drawing on folklore and her experience living between cultures.
Joo gathers discarded objects while walking near her home in London and commuting to her studio in Deptford. She has said she does not set out to find particular things; chance discoveries become meaningful and prompt her imagination. She combines them with materials including clay and shiny viscose thread, which she uses to embroider textiles and found items.
The works range from human-sized figures covered in white and beige fringe to pieces that join body-like forms with domestic fixtures. For Those Who Wade (2025), made with viscose thread embroidery, suede boots and a stainless steel rod, stands 190 centimeters tall. Murmur (2025) places a carved wooden table above a totemic leg-like form and incorporates ceramic. The exhibition also includes smaller works, such as Shivers, Quivers and Silence (2026), made with embroidery and ceramic.
Joo has described the objects’ earlier lives as part of their appeal: she imagines and builds meaning around materials that already carry a history. Several sculptures approach the artist’s own height, a scale she says gives the pieces a presence that prompts viewers to move around them and compare their bodies with the work.
Discarded Objects Become Bodily Forms
The exhibition offers a close look at how Joo turns ordinary, previously used materials into forms that resist straightforward identification. The works’ mixtures of clothing, furniture, ceramics and body-like shapes invite viewers to consider how an object’s past can sit alongside meanings created by an artist and an audience.
Scale also shapes that encounter. Joo says larger sculptures move from ideas in her mind into the physical space of her studio, while their height and heft change how viewers relate to them. The presentation gives audiences a chance to encounter these pieces together, rather than only through reproductions or descriptions.
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Folklore Across Two Cultural Histories
Joo has said that she is Korean-Chinese and was raised between the two countries. She describes East Asian cultures and stories as part of her memory and psyche, while her daily life in London and encounters with objects also inform the imagery she develops. Her account connects the sculptures’ folkloric references to both personal memory and the materials she finds in the city.
In the source report, Colossal characterizes the work as a way to explore how mythology and folklore can offer different forms of knowledge and wisdom. Joo has said that even mundane interactions can hold potential for meaning and transformation. The pieces cited in the report span works dating from 2022 to 2026, including embroidered textiles, old socks, wire, wood, boots and ceramic.
““I am not actively looking for anything in particular, but I discover them by happenstance, and they become meaningful; they provoke my imagination.””
— Woo Jin Joo, quoted by Colossal
Exhibition Details Beyond the Dates
The available report does not give a full exhibition checklist, visitor information, admission details or the exact dates for the Harley Foundation presentation in early 2027. It also does not specify which works will be shown there. Those details were not confirmed in the source material.
London Show and 2027 Presentation
Bodily Inbetweenness remains on view at Ruup & Form through November 13, 2026, according to Colossal. Joo is also scheduled to have work on view at the Harley Foundation in Nottinghamshire in early 2027. The source report does not provide an opening date or further details for that presentation.
Key Questions
Where can visitors see Woo Jin Joo’s current solo exhibition?
Bodily Inbetweenness is on view at Ruup & Form in London, according to Colossal.
When does Bodily Inbetweenness close?
The source report says the exhibition is open through November 13, 2026.
What materials does Joo use in her sculptures?
Her works combine found objects such as clothing, furniture and boots with materials including viscose thread, clay, ceramic, wire and wood. Materials vary by piece.
What informs the imagery in Joo’s work?
Joo has said that East Asian stories and cultures, her Korean-Chinese background and her life in London inform her imagination. Encounters with discarded objects also prompt ideas.
Where will Joo’s work be shown next?
The source report says she will have work on view at the Harley Foundation in Nottinghamshire in early 2027. It does not give the opening date or identify the works.
Source: rss
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